The Phosphorus Bombs Sydney, Australia
The Phosphorus Bombs play blistering punk rock that harkens back to those halcyon days when Survival of the Fattest was the
only soundtrack you ever needed/could afford.
For Fans of NOFX, Bad Religion, Strung Out, Good Riddance, Propagandhi
... more
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supported by 5 fans who also own “Closing On The Centre”
Album 4: still powerful, hard-charging songs with biting lyrics that bludgeon you into realizing that gender inequality sadly persists. I like the polish on this record, I hear more time changes in the song structures pointed out by the meaty guitar riffs. Shawna should be the spokeswoman on the state of the nation. This band has a message. Pay Attention!
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Coagulating Darkness
by Hellripper
supported by 5 fans who also own “Closing On The Centre”
Pretty much the best Black/Speed Metal I've listened to since I learned about Evil Invaders and Vulture. Everything you'd love to be reminded of about this musical era is there. The influences are what you'd expect too: Motörhead, Venom, Bathory, early Slayer, Celtic Frost; aggressive vocals, tortured guitar solos, pounding drums; everything is fast, clear and still a little grimy, but without reverb cranked up to the max. Amazing band, amazing album.
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TRANS DAY OF REVENGE
by G.L.O.S.S.
supported by 5 fans who also own “Closing On The Centre”
i mean, it's an all time classic
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Dead Cross, Retox, and Qui members dish out subversive hardcore with an indignant smirk; come for the riffs, stay for the synth experiments.
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This Is All We Ever Get
by SPACED
Knockout debut from a Buffalo, New York-based hardcore band who like their riffs sick, their drums fast, and their choruses sticky-sweet.
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Escape From New York
by Cash Bribe
New York hardcore meets classic thrash metal meets Jane's Addiction-esque alternative on the Brooklyn crushers' sensational debut.
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Does It Matter? / Sarah
by Clowns
supported by 5 fans who also own “Closing On The Centre”
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